Poetry Party 2 - May 10th, 2025, Tempe, Arizona
Highlights from Zine Volume 1 Number 2 and a full report of the poems we recited at the May 10th poetry party where we shared more Realist and Hyper-Realist poetry of our times. Also in this edition of the Zine are a hard-hitting essay on the Dismal Science (The Economists), Tales of Our Times featuring Poets and Troubadours regulars, and our “Poet at Large” which was actually a tag team of two British poets that beat the gender game of their era with a very interesting nom-de-plum.
And Into the Night She Drove
Misery Loves Company
The test of any great fishing story, I presume, is how much it stretches the truth. It won’t be possible to apply this test to my trout-fishing story with my Uncle Albert because it took place at least fifty years ago. I was not more than eight or nine years old when the family visited South River, Ontario. I can’t recall whether we planned to go fishing. That was probably a last-minute decision made after we arrived, and some genius suggested we do so. Since I was a kid, I had to go along on the trip and the overnight trout-fishing sojourn. I was a city kid and didn’t have much experience with the outdoors and associated perils.
Motorboat
I was driving out to Lake Vaughn with my sales guy Ernie behind the wheel towing his motorboat for an afternoon on the lake. It was a starkly beautiful day, dry, sunny, warm. I rolled down the window on my side and the wind roared in at the perfect temperature. I rolled the window back up and it was quiet. Ernie turned to me and started talking.
“This is my wife’s boat. She’s never going to see it again.”
Poet at Large Michael Field: Thou Hast Thy Kingdom in the Trees
The Economists
Between the schools of Economic Thought, there is great disparity of opinion on monetary velocity. First off, no one even knows how to measure it; and it’s clearly fundamental to a group of Thinkers who do not define value, only cash. Nevertheless, there are those who believe that aggregate monetary velocity is greater than one, like in our amusing little anecdote above, and those who do not.
A Critical Review: Poetry of Ada Limón, Billy Collins, Naomi Shihab Nye, Mary Oliver, Wendell Berry
Poetry 101, The Rhythm of English and American Verse
The trap: the more we talk about a poem, the less we experience it, we may gain some understanding but lose the feeling and as we lose the feeling, we lose the point. Words. Elusive things. Poetry vs. Stories. Poetry vs. Prose. Seems like this discussion of Poetry 101 could get technical, involved, and even convoluted and contradictory – isn’t some prose especially great prose, poetic? Aren’t some great poems, story-telling methods – think The Iliad and The Odyssey – we recall the story not the poetry.